《食人之旅》在线观看和下载

二十多年前的片子 不知道现在的**人对外来者的看法是否还是一样 如果是 我不想去拜访 外来者是有错 把一些自然神圣的都破坏了 但不能因为外国人有钱就去expect他们在你们那里花钱 否则就充满愤怒

很有趣地记录了游客、原住民和纪录片本身的关系。然而在镜头之外，保留地将因为纪录片本身的诞生，而受到了现**明更强烈的冲击，从而进一步改变影片中记录着的世界。

文明与原始，运用多重视角（导演的、部落者的、旅行者的）描述眼中的“他者”。以为是讲述原始部落，实则讲述旅游者的故事。很有讽刺意味。"There is nothing so strange in a strange land, as the stranger who comes to visit it."

Biu! *到了人类学的痛处：colonialism—ethnography—trourism都是一回事...

其实是探讨了旅游凝视和遗产旅游中的话语问题 具体可以见After Cannibal Tours: Cargoism and Marginality in a Post-touristic Sepik River Society一文 不过文章的视角更上一层了

O'Rourke's music and montage enlarge the ethnographic representative moment. The fine boundaries among time periods and countries are blurred and appear meaningless in the Other's eyes.

Tourists reveal ethnocentrism. To see how natives' traditional value and lifestyle are shaped by ecotourism. Natives commodify their daily life, sacred culture in return of meaningless money. They bear the heaviest cost of change -- cultural exploitation

There is nothing so strange in a strange land, as the stranger who comes to visit it.

“There is nothing so strange, in a strange land, as the stranger who comes to visit it.”想起在亚洲的类似情况。游客和当地人讲价，但当地人要进城买东西的时候没得讲价，他们口中的大城市从没有在片中展现，变成现代消费社会的背景。几次用到古典音乐都别有深意。开头的老伯伯说父辈第一次看到欧洲人以为是他们死去的祖先回来了，挺马尔克斯的

感受到了白人强烈的高人一等 以及土著对于现代化的无助